So, if you know me at all, you probably know that one of my favorite concepts to talk about as an educator is the QUARTER NOTE PULSE. This clip provides a fine example of how the approach toward “swinging” four quarter notes begun in the 1920s and ’30s was still going strong into the modern rock era.
Here’s Led Zeppelin playing “How Many More Times” in 1969. Note John Bonham’s RH on the ride cymbal. His technique (what I refer to as “throw-up”) belies an upbringing based in jazz studies and the influence of swinging drummers like Gene Krupa, Max Roach and Earl Palmer (remember, there was no such thing as a “rock drummer” or “rock technique” when Bonham was a lad in mid-fifties England). Even when the band fully kicks in to the groove, Bonham’s approach is still coming from a “swung 8th” perspective. It’s an important distinction to make, because the jazz/swing quarter note underpinning is what makes so much of 1950s and ’60s rock’n’roll so memorable.
The upshot is this: If you love Bonham, then do some research and learn what influenced him. You’ll discover some intricacies in rock you never realized, and will improve your playing as a result!
For a deeper discussion of my approach to this topic, check out the recent FREE LIVE LESSON I recently recorded with the good folks at Drumeo: http://bit.ly/1WLRukC
One of the ways that I start some of my clinics is I’ll play the first 15 seconds of Led Zeppelin’s “Rock and Roll” from 1972. Everybody knows John Bonham’s famous drum intro for that song. And then I’ll play Little Richard’s “Keep a Knockin’ (but You Can’t Come In)” from 1956 which literally starts, almost note for note, with the same drum rhythm. Then I put on Louis Jordan’s “Keep A Knockin’ But you Can’t Come In” from 1937 which has a cool little drum lick in it. In 90 seconds I’ve taken the audience from 1972 back to 1937 and shown them a direct lineage of influence and give them kind of an “a-ha!” moment.